A few months ago, I listened to the audiobook of Rebecca, which was the perfect excuse to watch the 1940 film version all over again. This film introduced me to the book when I was younger and has been one of my favourites ever since.
The film stays reasonably close to the book, where the young, nameless protagonist marries Maxim de Winter, owner of Manderley. Here she is witness to constant reminders of Rebecca, his former wife so that she believes Maxim is still in love with her. The constant reminder of his first wife is strengthened by the housekeeper, Mrs. Danvers. Played by Judith Anderson, she does a brilliant job of portraying a cold, vindictive, and jealous character. Mrs. Danvers is loyal to Rebecca, almost to the point of obsession.
This obsession is revealed in its full glory during the scene where Mrs. Danvers shows the new Mrs de Winter around Rebecca’s bedroom for the first time. The room has not changed since the day Rebecca died and is immaculate. The curtains, the furniture, even down to the embroidery, it truly is a beautiful room. Like many of the other sets, a lot of work went into making this one. So much so, I wouldn’t have minded a room like that myself. 😉
Joan Fontaine does a great job as the shy, tormented Mrs de Winter and Laurence Oliver also portrays a convincing Maxim de Winter. Perhaps it was due to his portrayal that I have always seen Maxim and the new Mrs de Winter in a father/daughter relationship, rather than any great romance.
The suspense in this film has a slow, gradual build, heightening the tension and the mystery surrounding Rebecca. You do not see any images of her, but one does not have to because the characters help to build a picture in the viewers’ minds, adding to the suspense. This is what Alfred Hitchcock excelled at.
The special effects are of-course dated, but it still helps with the overall mood of the film, especially when it comes to Manderley itself. Despite this, I think the film is a masterpiece of the Gothic genre and one of Hitchcock’s greatest works.
Is ‘Rebecca’ one of your favourites within the Gothic genre? Have you been re-visiting some old favourites lately?