Recently I watched my favourite film, Picnic at Hanging Rock. I make sure I watch it at least a couple of times a year. With its constant sense of dread, this film made a big impact on my life and as a result, my writing tends to naturally gravitate towards Australian Gothic.
So, what is Australian Gothic?
The Gothic genre came to Australia as an imported genre (you’ll find a helpful post here on the ten elements of Gothic Literature) and took on many qualities of the traditional gothic, including the supernatural, romance and gloomy atmosphere. Like traditional Gothic, Australian Gothic has an element of mystery and fear.
Within Australia, the Gothic soon developed its own characteristics. The unique landscape of the country became an important element, therefore, becoming a character all of its own. The Australian bush transformed into a monstrous, spectral place, becoming the setting for nightmare and terror.
During the colonisation of the country, earlier stories were tied to the violence of settler life, including stories of death and brutality where murder victims returned from the dead, and burial grounds were uncovered. Stories involved the protagonist becoming lost or disorientated, sometimes even abandoned, so that the protagonist is isolated from others in order to be confronted by events. Such events either took place on the edge of civilisation or within the colonial homestead.
Australia ‘was a world of reversals, the dark subconscious of Britain. It was, for all intents and purposes, Gothic par excellence, the dungeon of the world. The familiar transposed to unfamiliar space. Nature, it seemed to many, was out of kilter. From its inception, the Gothic has dealt with fears and themes which are endemic in the colonial experience: isolation, entrapment, fear of pursuit and fear of unknown’.*
In an article on Australian horror films, The Sydney Morning Herald describes Australia as ‘a scary place. The size of the United States but with only the population of greater Los Angeles, its outback means you can get about as far away from civilisation as it’s possible to get.’
“We call what we do ‘Australian Gothic’,” says Everett DeRoche, a key figure in Australian horror who wrote the scripts for classics such as Patrick (1978), The Long Weekend (1978) and Razorback (1984). “Australia doesn’t have that iconic ‘haunted house’ that we are familiar with from American movies. But it does have the outback, and people’s fear of that, that agoraphobia.”
If you have ever watched such films as Mad Max and Wolf Creek, then you are familiar with the horrors such a landscape can represent. For me, the combination of the traditional Gothic with elements that are uniquely Australian make for an intriguing mix, full of many possibilities.
Do you enjoy Gothic Fiction? Do you have a favourite book or film within the Gothic genre? What film has made an impact on your life?
*Turcotte, G. The Handbook to Gothic Literature, Mulvey-Roberts M. (Ed.) New York University Press, 1998, pp.10-11.
